Violence and Masculinity Threat

By: Tristan Bridges and C.J. Pascoe

gwptwittericon2Originally posted at Girl W/ Pen

Just under two weeks ago, in Milford, Connecticut, Chris Plaskon asked Maren Sanchez to attend prom with him at the end of the year at Jonathan Law High School.  They’d known each other since 6th grade.  Maren said no.  Witnesses told authorities she declined and told Chris she would be attending the dance with her boyfriend (here). Chris knew Maren had a boyfriend and, likely, that she’d be attending with him. After being turned down, Chris threw his hands around Maren’s throat, pushed her down a set of stairs, and cut and stabbed her with a kitchen knife he’d brought to school that day.  It was April 25, 2014.  Maren got to school just a bit after 7:00 that day and before 8:00, she was dead.

This tragic, almost unfathomable violence reminds us of so many stories of adolescent male violence over the past couple decades. Jackson Katz discusses a seeming epidemic of violence among young, white men in his new film, Tough Guise 2.  In analyzing the tragedies of school shootings, Katz tells us that we need to think about these tragedies as contemporary forms of masculinity. When young men have their masculinity sullied, threatened or denied, they respond by reclaiming masculinity through a highly recognizable masculine practice: violence. When events like this happen, it’s easy to paint the young men who perpetuate these crimes as psychologically disturbed, as—importantly—unlike the rest of us.  But, stories like Chris Plaskon follow what has become a predictable pattern.

Sociologists investigating similar phenomena address this as a form of “social identity threat.”  The general idea is that when you threaten someone’s social identity, and they care, they respond by over-demonstrating qualities that illustrate membership in that identity.  Michael Kimmel writes about a classic example:

I have a standing bet with a friend that I can walk onto any playground in America where 6 year-old boys are happily playing and by asking one question, I can provoke a fight.  That question is simple: “Who’s a sissy around here?” (here: 131)

While you might think Kimmel’s offering easy money here, he’s making a larger point.  By asking the question, Kimmel is inviting someone’s masculinity to be threatened and assuming that this will require someone to demonstrate their masculinity in dramatic fashion.  Sociologists have a name for this phenomenon: masculinity threat. New research relying on experimental designs suggests there’s a lot more to these claims than we might have thought.

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Daryl Vocat–Challenging the Boy Scouts through Art

My parents never signed me up for Scouts. So, I’m always an outsider when groups of men have the “How close to Eagle Scout were you?” conversation. The object of this status game (as far as I can tell) is to have been closer than your opponent, or – in the event of a tie – to have had a cooler, more daring, or more significant project to have achieved the rank. I remember thinking (or better said: I remember correctly realizing) that the outfits were ugly. But I did like the idea of collecting the badges. Even before I studied masculinity academically, I also remember thinking that tying knots and pitching tents were sort of odd things to decide that all “real boys” ought to know.

The Boy Scouts has always been a movement about masculinity. From its beginnings, The Boy Scouts of America was understood as necessary as economic transformations caused men to play smaller roles in the raising of their sons. As families moved from farms to cities, many worried that young men would never learn to embody the manliness forged in the daily toil of rural life. American boys–so we were told–needed traditions restored that were thought to be responsible for turning their fathers and grandfathers into the men they became. So, the Scouts stepped in at a historical moment in which men were stepping out of family life, creating “masculine” social spaces in which men could help turn boys into men.

There’s a nostalgia that surrounds the group that can’t be ignored. The Boys Scouts are an organization that we like to think can do no harm. Sure they segregate boys and girls, but there are Girl Scouts too. Sure they’ve systematically denied access to non-heterosexual boys and Scoutmasters, but those cases were brought to court. And most recently, sure they participated in a cover-up of that concealed instances of child abuse and molestation, but… Well, we’re still waiting to hear how this “but” gets worked out.

Scouting manuals are a source of tremendous cultural nostalgia as well (see Kathleen Denny‘s work on Girl and Boy Scout handbooks here). The Scouts and Scoutmasters were drawn in a very particular style. You know the style: we still use it for “how-to” instructions when we depict people in them. White, heterosexual-appearing, middle- middle-upper class boys and men were drawn as well-groomed, of medium weight and build, casually interacting in ways that illustrated focused attention on a common goal. It’s potentially the case that few boys experienced Boy Scouts as it was depicted in those manuals, but the power of those stuffy old anesthetized images is palpable.

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