Daryl Vocat–Challenging the Boy Scouts through Art

My parents never signed me up for Scouts. So, I’m always an outsider when groups of men have the “How close to Eagle Scout were you?” conversation. The object of this status game (as far as I can tell) is to have been closer than your opponent, or – in the event of a tie – to have had a cooler, more daring, or more significant project to have achieved the rank. I remember thinking (or better said: I remember correctly realizing) that the outfits were ugly. But I did like the idea of collecting the badges. Even before I studied masculinity academically, I also remember thinking that tying knots and pitching tents were sort of odd things to decide that all “real boys” ought to know.

The Boy Scouts has always been a movement about masculinity. From its beginnings, The Boy Scouts of America was understood as necessary as economic transformations caused men to play smaller roles in the raising of their sons. As families moved from farms to cities, many worried that young men would never learn to embody the manliness forged in the daily toil of rural life. American boys–so we were told–needed traditions restored that were thought to be responsible for turning their fathers and grandfathers into the men they became. So, the Scouts stepped in at a historical moment in which men were stepping out of family life, creating “masculine” social spaces in which men could help turn boys into men.

There’s a nostalgia that surrounds the group that can’t be ignored. The Boys Scouts are an organization that we like to think can do no harm. Sure they segregate boys and girls, but there are Girl Scouts too. Sure they’ve systematically denied access to non-heterosexual boys and Scoutmasters, but those cases were brought to court. And most recently, sure they participated in a cover-up of that concealed instances of child abuse and molestation, but… Well, we’re still waiting to hear how this “but” gets worked out.

Scouting manuals are a source of tremendous cultural nostalgia as well (see Kathleen Denny‘s work on Girl and Boy Scout handbooks here). The Scouts and Scoutmasters were drawn in a very particular style. You know the style: we still use it for “how-to” instructions when we depict people in them. White, heterosexual-appearing, middle- middle-upper class boys and men were drawn as well-groomed, of medium weight and build, casually interacting in ways that illustrated focused attention on a common goal. It’s potentially the case that few boys experienced Boy Scouts as it was depicted in those manuals, but the power of those stuffy old anesthetized images is palpable.

Continue reading